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Chorus: singing practice, while practicing learning -- 2015 China International Choral Festival (Xinjiang) chorus training class

Date:Sep 24,2015

September 23rd, the 2015 China International Chorus Festival (Xinjiang) Chorus command training course to continue.
From 10 prefectures and 20 city in Xinjiang and Xinjiang production and Construction Corps 12 division of the 402 people continued to attend training workshops, where most of the students from the front line of primary and secondary school teachers.

Yesterday's course by the China International Chorus Festival Art Committee, Chinese college chorus Committee Chairman Mr. Ren Baoping as lecturer. In the form of a class, the students will come to the stage to stage a demonstration, and Mr. Ren Baoping will explain and comment. In the demonstration of the first students in lecturer under the guidance of "body" warm-up, sound "open throat", and training. A teacher from Huashan middle school to participate in the demonstration, said the school's Choir team time is relatively short, training is not professional, rehearsal teaching for the chorus conductor experience is still very poor, he said, before singing warm-up is a great inspiration.


For the students of the demonstration concert, Ren Ping are proposed Solfeggio ability to the chorus of importance, phrase processing duration sing should follow principle of "Ning a lot more, rather long nor short, with the full force of sing" weak sing "and so the focus of teaching, is a very valuable experience of students arrived to learn.
From the Xinjiang production and Construction Corps, the second division of Huashan high school choir small members also participated in chorus demonstration activities.

The following is an outline of Mr. Ren Baoping's lecture, which is to be shared with the students:
The theme of a chorus of warm-up training and the establishment of a sound concept of the chorus
(1) four aspects of the training of the chorus warm-up
1 body rhythm training activities including limbs, such as head
2 voice training -- suitable choice to achieve the purpose of voice tone
3 the rhythm of the training -- Based on the work to design the rhythm of the practice
4: training of intonation to quickly enter the state of choral intonation
Chorus - "warm-up training paradigm vocalising"
(2) establish the correct concept of Chorus
The correct sound concept is the idea of the sound and the standard of the process of the practice. To establish a correct concept of sound is a guarantee of success in chorus training. To make the sound to achieve the ideal sound, we must start from the breath singing posture, singing, vocal resonance based, only to the chorus of voices toward the correct direction of development and improve, to freely in response to different works of different periods, different styles of different requirements of sound presented to pay attention to the following points:

1 correct singing posture
2 correct singing breathing
3 scientific atmosphere
4 ideal singing resonance
Topic two how to design and work the design of the sound effect of the work
(1) design a command gesture based on the work.
1 ready to take the technology
2 points and lines
3 command of breathing
4 the relationship between the action and the static, the belt and the following command
5 command training expression design
Command gesture design example: "Qinghai dream"
(2) design a sound according to the work
1 focus on the processing and changes in tone
About 2 vocal skills and Chorus
3 need a scientific method of sound
4 rely on the full support of the atmosphere
(3) the key issues in the design of audio process -- the fusion of tone
Unison sound easy integration, harmonious degree is simple, such as boys and girls. Mixed chorus of male and female students of eight degrees, it is difficult to achieve integration. Sculpture harmonious tone, create beautiful sound, is the touchstone of the mixed chorus.

1 mixed voice chorus and tone fusion training method
The soprano as criterion, let the other three voices sound respectively and the fusion of training, then make a single close to training, let four voices sound to achieve harmony and unity.
Instance: a Garland Lay
Tenor and alto voice tone swap, tenor in loud area feeling to like Alto, can do the roles were reversed, let the voice more integration, promote the chorus timbre closer.
A key point, do not ignore the female bass sound, with soprano balance, sometimes rather more, and not less, do not weaken this chorus sound to full, harmonic color more concentrated within the voice is tenor and Alto to a outer voices adhesive role, let the whole chorus fusion improve bass voice position, sense of sound and vocal position to high, become mellow timbre, in Renaissance or classical works time to sing, the choir fit better.

2 mixed chorus effect
Sing the Renaissance and the middle ages, modern works, as well as the piece of music, to use this method to train the voice, so that the concert will achieve a more harmonious fusion of beautiful chorus sound.
For example: Caritas Ubi, pick the stars
3 mixed voices
4 grasp the style of different works
A good chorus of sound and sound, according to the work to design, rich in change and accurately grasp the different styles of works, the charm of music play to the extreme.
The theme of the three choir to participate in the competition and the selection of the works
(1) the preparatory work and the selection of works under the chorus
1 see music according to spectrum to determine the works
According to design analysis for chorus sound 2
3 estimate the difficulty of the work, and the effect of screening
4 listen to the sound - based on the multi - version sound as a reference

5 ready for rehearsal
(2) the competition and the selection of the concert
1 identified concert theme
2 Comparison between China and foreign works
3 style and language selection
4 the balance between tradition and modern work
5 there is a coordination of accompaniment and accompaniment
6 popular and elegant intersection of textile integration
Example: "spring" Peiyang Chorus Concert of new works of contemporary Chinese
(3) the work after the selection of the works
1 work style, structure, harmony, and so on.
Design of 2 works climax
For the 3 mark
4 gesture based on the design of the tag
5 to estimate the problems that may be encountered in the rehearsal and prepare for it.

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